ARTS & EVENTS

A Letter to Chris Carter: The X-Files Movie Kinda Sucks

Photo by Diyah Pera/20th Century Fox
SO, WHY A new "X-Files" movie?

In the end, I blame Hollywood's discovery of the many ways to cash in on nostalgia.

The last few years have brought to aging fans movies based on 1980s cartoons, movies that are sequels of sequels of sequels, and remakes of movies that should never, ever be remade.

Even Indiana Jones came back in "The Crystal Skull" older, wiser and still kicking ass for a shot at making another buck.

So it's no wonder Chris Carter wanted to try to squeeze a few more dollars from us former 13-year-old fangirls. (And a few is all he got: "The X-Files: I Want to Believe" took in a disappointing $10.2 million during its opening weekend.)

Also, we deserved it. You could say "I Want to Believe" is to "The X-Files" what "Serenity" was to "Firefly" — a vanity project just for the fans. Except that 1) "The X-Files," unlike "Firefly," ended too late instead of too soon, and 2) Six years is way too long to try to come back from the shark-jumpy last few seasons.

Why is Chris Carter so determined to cut off this dead horse's head, reattach it to an older, sadder horse, and then beat it?

Immediately after the series (mercifully) ended, there was talk of building "The X-Files" into a movie franchise, with our beloved agents chasing monsters-of-the-week again every year or two on the big screen. If that was ever the case, this movie would have been the perfect way to recover the lost grace of the pre-Doggett episodes, if it could find writers deft enough to fill in the lost time without too much awkwardness.

But instead, they threw away their greatest asset, which would have been, well, a STORY.

Photo by Diyah Pera/20th Century Fox

What about Amanda Peet? Why is she a big Mulder fan, and what authority did she have to call him in on this case? Why can't she be the new Monica Reyes, but less whiny and a little hotter? During the scene where Mulder (and his Jack-From-The-Fourth-Season-of-"Lost" beard) are reviewing the case with her, I almost got an "X-Files: The Next Generation" vibe, and that was exciting.

Even as former FBI agents, Mulder and Scully have plenty of potential as mentors to a new class of alien-hunters. But no, Amanda Peet, the potential hope of this movie franchise, has to go and die in a cringe-worthy and needless fashion while Xzibit plays "Se7en" with the organ cooler.

Here's the thing: This was not really an "X-Files" movie. It had two people who kinda looked like Mulder and Scully, and it made some vague references to an FBI case, and threw in an old psychic guy (vastly inferior to Clyde Bruckman, and even the Stupendous Yappi) to keep it "interesting."

But like this movie's victims of Frankenstein-like transplantation, it was all head and no heart.

Duchovny and Anderson put in great performances as Mulder and Scully (I especially enjoyed Scully's Dr. House-esque attitude toward her superiors), but with them finally "together," plus the unavoidable half-decade that's passed since they've played these characters, a lot of the tell-tale chemistry just wasn't there. Even as a die-hard shipper (I dressed up as Scully for Halloween. Twice.), I would have rather seen them playing their old games instead of jumping blindly into this forced new "couple" role (though Scully does get to say "He's not my husband!" for the hundredth time).

There were hints of the charm and adorable snark that permeated the good years. Anderson, especially, hasn't lost her spot-on eye-rolling abilities. But the plot and screenplay, while exhibiting flashes of an above-par episode, just don't seem like things Carter and his writers had very much passion for.

I get the snowy, Fargo-like landscape, the attempts at suspenseful editing, and overall, the desire to make the fans happy (Skinner hugging Mulder in the cold, anyone?). But "I Want to Believe" is just a run-through that runs aground, and the writers really should have known better.

So, a message to Chris Carter: if all you want is some fan fiction, please, please, just let the fans write the next movie, if there is one.

Oh, and bring back Krycek. I want to believe this isn't how it ends.

Written by Express contributor Afton Lorraine Woodward

Photos by Diyah Pera/20th Century Fox

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COMMENTS (5)
  • Thanks for the spoiler alert at the beginning of the article you moron. Now I won't get too emotionally involved with Amanda Peet's character since I know that she dies.

    By cowthree , Posted July 28, 2008 12:34 PM
  • its fairly likely that you won't get emotionally involved with any character in this movie whether they die or not.

    By celeritas , Posted July 28, 2008 9:26 PM
  • Also like Serenity, a weak box office take will be followed by a decent but short comic book run.
    I also like how they're trying to re-package the episodes into smaller DVDs for all the "fans" who want specific plot arcs but don't want to drop the extra $5 for the whole season.
    Many bad ideas seemingly designed to squeeze a once-good show of any and all money and dignity.

    By Zen , Posted July 29, 2008 12:18 AM
  • They really blew their shot to make the jump into movies (a la the Star Trek movies). They should have wrapped up the whole alien story line in the first X-Files movie and stopped the series at that point, then come out with a movie every 2-3 years. The show had enough variety from comedy to mystery to sci-fi to horror that they could have had lots to choose from in making movie scripts.

    By Bruce , Posted July 29, 2008 1:22 AM
  • I just have to throw in my 2 cents -- especially after anticipating this film for 6 years.
    I, personally, loved the movie. Is it the plot that I would have picked out of everything in the world? No. But there is such depth to the themes and relationships that I have to love it.

    I am intrigued that you said it had “head” but no “heart,” when I would argue it had more heart than anything. If not the blatant appreciation and love of the fans through subtle references to years past, the whole story had an underlying theme of faith and love.

    I don’t understand how you were a “die-hard shipper” if you feel the Mulder-Scully relationship is forced. Maybe you confuse “chemistry” with “unresolved sexual tension.” They don’t have stare longingly and imagine jumping one another’s bones because (er, spoiler alert?) they are! Mulder and Scully continue to have one of the most developed and fascinating character relationships I’ve ever witnessed. Is it exactly the same as in the series? No. And THANK GOD for that. It’s been six years since we have seen them, and I think they have matured realistically and beautifully. Every moment they are on screen together causes my breath to catch in my throat.

    What separates this movie from your average summer flick is the depth. In a realistic, and brave, depiction of human nature, the issues are not black and white. Not every one can be called “good” or “evil.” Redemption, or the existence of redemption, plays a large role – be it the forgiveness of society, your partner, or God. What makes a “monster?” How far would you go for the person you love?

    The creepy Frankenstein-esque experimentation is meant to parallel the work of Dr. Scully. Then the question becomes how far is too far when to comes to saving a person’s life? That is why I can enjoy the story – because it makes you THINK. Finally, a multi-layered hour and half that questions morality AND entertains! I am glad they chose not to pander to the lowest common denominator.

    Yes, the script could have used a couple revisions, but ultimately, it was wonderful to watch as a whole. I think it was not only a great stand alone, but a fitting epilogue to the series finale. To each their own, but made me obscenely happy to see Mulder and Scully in front of me again.

    P.S. - Though pretty, Krycek is very much dead.

    By amor fati , Posted July 30, 2008 3:18 PM
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